mulovesimages:

TRUEMPY BALLET SCHOOL - BERLIN - ALFRED EINSENSTAEDT - 1931
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mulovesimages:

TRUEMPY BALLET SCHOOL - BERLIN - ALFRED EINSENSTAEDT - 1931

almost-giselle:

Yulia Stepanova in class at the Mariinsky (x)

Part 1 | Part 2

almost-giselle:

Yulia Stepanova in class at the Mariinsky (x)

Part 1 | Part 2

thenextfamous:

ryanishka:

passionatedancing:

ryanishka:

Ok enough with the teasers, here are some actual gifs of the video I took to correct myself today

Viktoria Tereshkina was my inspiration for the first gif and Olesya Novikova was easily my inspiration for that last one

the middle one is my own interpretation of Aurora, could use a bit more life, working very hard on it stylistically

CAN YOU POST THE VIDEO OMG

It’s literally me doing the same tombe to attitude 100 times and falling out of pirouettes and doing the same shitty like 12 fouette turns and stomping around being frustrated with myself haha

RYANNNNN :””)

im gonna reblog this again because i really cant stop looking

nasia-s asked:
When you get this, give 5 facts about yourself and pass this on to 10 of your favorite followers. :)

awww ειμαι φειβοριτ φολλουερ ! :*
λοιπον

1. η ψυχολογια μου νομιζω δεν εχει υπαρξει ποτε τοσο χαλια

2. εγω η αναποφασιστη δεν εχω επιλεξει την κατευθυνση μου και τα σχολεια ανοιγουν σε 11 μερες… HEELPP PLEASEE!

3. το μονο που θελω να κανω πραγματικα στην ζωη μου ειναι επαγγελματικά το μπαλετο <3

4. θα βαλω τα δυνατα μου να παρω το προφισενσι σε λιγους μηνες, πολυ λιγους..

5. μου λειπουν συγκεκριμενα ατομα αυτη τη στιγμη αλλα μαλλον δεν τους ενδιαφερω

oiobrelestoudemy asked:
Ορίστε μια ωραία, μεγάλη, σφιχτή αγκαλιά <3 ελπίζω να σου κάνει...

σε ευχαριστωω..
Την χρειάζομαι όσο τίποτα:/


Friedemann Vogel and Alicia Amatriain in rehearsal for ‘Romeo and Juliet’.
Photo (c) Roman Novitzky.
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Friedemann Vogel and Alicia Amatriain in rehearsal for ‘Romeo and Juliet’.

Photo (c) Roman Novitzky.

"Μια αγκαλια θελω..μια μεγάλη"
κανείς;

ladansetreschic:

Svetlana Zakharova and Friedemann Vogel GISELLE

"Γίνεται κάποιος ανασφαλής, επειδή δε πήρε ποτέ την αγάπη από εκεί που την είχε απόλυτη ανάγκη."

(via giorgos12)

!!!!!

(via chara2001)

coltonwestdance:

From: roberto bolle’s instagram.

To: My Roberto Bolle loving followers. 
572

coltonwestdance:

From: roberto bolle’s instagram.

To: My Roberto Bolle loving followers. 

vaganovaboy:

Anna Osadcenko in class.

Photos (c) Patricio Melo

"Σου υπόσχομαι πως όταν θα με σκέφτεσαι θα λες από μέσα σου:“Τι έκανα ο μαλάκας;”"

Beyond Good, Mlle. Aurelie Dupont as the Sylph, who has left one reeling from the shock of her technique. In her own discreet but determined way, Mlle. Dupont has actually improved upon our own P. Lacotte, by doing away with all those horrid, twee little crook-elbow wrist-flicking thingimajiggies that Taglioni undoubtedly never used, and replacing the lot with proper ports de bras. Her footwork must be seen to be believed. Admirable, a thousand times admirable! One found the cry “Brava!” literally torn from one’s throat.

BEG BORROW OR STEAL a ticket to see the woman, because this sort of technique don’t grow on trees.

…Let us all take the time to ponder over the quality of abstraction, the depth and sheer intensity of work, that yields the technical accomplishments we saw last night. And her originality! The French stage is NOT one, at the present time, where mezzo-tint dancing is esteemed. As Mlle. Dupont has herself stated, we are in a Theater where every movement, every articulation is ground to an extreme. But, amongst the many beauties in her work last night, notably a careful eschewal of excessively large, gaping figures, she has dared to dance the very rapid passages as one would have done in the 19th century, as a TRAJECTORY, skimming over the ground with the torso engaged, and the foot and leg almost relaxed. x